Dna of Things

[ img ]
Connecting speculative research with an innovative blend of nature and technology

On this page

Inspired by the creative dialogue conducted with an art-scientific startup, Grow Your Own Cloud, the DNA of Things was initiated to define and document our emotions, intuitions and thoughts related to genius loci — a mythical spirit of a particular place: a private garden, a perennial meadow surrounding an esteemed art institution, or even a haunting memory of a person or a situation, linked to a certain space and time.

Thesis

Thesis
  • Fig. 1
    Fig. 2
    Fig. 3
    Fig. 4
    Fig. 5
    Fig. 6
    Fig. 7
    Fig. 8
The DNA helix seems to be the most compact and most efficient storage medium mankind has discovered so far. In recent decades, scientists have not only learnt to read the information encrypted in the DNA itself, but also developed new techniques enabling to encode digital information in the “void spaces” of the DNA sequence, translating the binary code (0-1) onto the DNA molecules (A-C-G-T), and implanting this artificial DNA both in living organisms (most notably plants), and in manmade objects. The encoded data can be recuperated and deciphered even thousands of years later, revealing the story of those who inhabited the planet before us.

Process

  • [ img ]
    Three-dimensional modelling process
  • [ img ]
    Axiophyte pods model
  • [ img ]
    Material exploration
Attuned to the natural cycles of decay and rebirth, the sculpture transmits messages that could be decoded in the future.

Sculpture

Sculpture
  • Fig. 1
    Fig. 2
    Fig. 3
    Fig. 4
    Fig. 5
    Fig. 6
    Fig. 7
Imagine an emotion-laden message could be encrypted within the DNA of certain plant species – an axiophyte, pertaining to a particular location, itself being worthy of protection. We would then encapsulate the message-carrier in a ‘time capsule’ – a sculpture located in this same specific location, devised in a way that it biodegrades over years or decades, eventually revealing the hidden message.
Just like a dead tree that fertilises the soil with nutrients and makes way for new modes of being, the manmade creation, exposed to the power of nature, would reveal new layers of meaning and interaction, adding to the discussion around nature in the utopian contexts of science and technology on the one hand, and poetry, memory and emotions on the other.
[ img ]
DNA of Things concept image
A prototype, first presented at the BIO27 design biennale in Ljubljana, offers a stepping stone towards a new body of work that highlights our relationship with the natural environment, memory, and protection of endangered species.
[ gif ]
The circulation of matter
[ img ]
Biodegradation study
Merging the vernacular with the poetic, the concept was translated into a butō performance, further elaborating on our entanglement between nature and culture.
[ img ]
DOT2201. Exhibition view. BIO Ljubljana 2022

Works included

  • DOT2201

    DNA Of Things
    Selected and processed real flowers, resin, 3D-printed PLA
    cmH: 60 W: 50 D: 50
    inH: 23.62 W: 19.68 D: 19.68

Year

2022

Team

Marcin Rusak
Tamara Pilawska Baranowska
Igor Jansen
Adam Białek
Anna Jurgielewicz
Wojciech Matejko
Grzegorz Myjkowski

Specialists

Magda Kopczyńska, Genomic Regulation Lab, Department of Molecular and Cellular Biology Institute of Molecular Biology and Biotechnology, Adam Mickiewicz University, Poznań, Poland

Monika Seyfried, Cyrus Clarke, Grow Your Own Cloud

Photo credits

Kasia Bielska
Marcin Rusak Studio

Exhibitions

BIO27, Ljubljana
Marcin Rusak
Tamara Pilawska Baranowska
Igor Jansen
Adam Białek
Anna Jurgielewicz
Wojciech Matejko
Grzegorz Myjkowski
Magda Kopczyńska, Genomic Regulation Lab, Department of Molecular and Cellular Biology Institute of Molecular Biology and Biotechnology, Adam Mickiewicz University, Poznań, Poland

Monika Seyfried, Cyrus Clarke, Grow Your Own Cloud