Nature of Things

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Viewed as progression rather than failure, natural cycles of transformation and decay become inherent to the design process.

About

Nature of Things is a series of installations devised to observe the gradual becoming and disintegration of things. Sculptural objects made with natural, organic, biodegradable materials, including waste flowers, shellac, beeswax and resin, and, occasionally, cooking flour, sugar, or sand, provide a field for experimentation that takes as a starting point a critical commentary on the ideas of consumerism and planned obsolescence that contribute to the culture of waste. 

Process

Process
  • Fig. 1
    NOT1804. Detail.
    Fig. 2
    Perishable material sample
    Fig. 3
    Perishable material sample
    Fig. 4
    Perishable material sample
    Fig. 5
    NOT1801. Detail.
    Fig. 6
    NOT1803
    Fig. 7
    NOT1804. Detail.
    Fig. 8
    NOT1801
Strangely familiar, the pieces are shaped by the contradictory forces of creating and keeping, obliterating and letting go, in the hope of becoming something more than the dust they are made of.

Process

  • [ img ]
    PV1801
  • [ img ]
    Perishable material sample
  • [ img ]
    NOT1801 (detail)
Often juxtaposed in specially built incubators or artistic installations along with scraps of found metal — corroded and disintegrated, deployed of former context and use — the Perishable pieces, displayed at different stages of decomposition, reference recognisable, domestic forms, everyday items and architectural elements, as well as archetypal, symbolic shapes that, abstracted into sculptural forms, echo the world around us.
In sharp contrast with fossil plastics, the perishable composite we developed was designed to eventually decay without leaving a negative footprint — dissolving in soil, blending into the natural environment it came from, or being consumed by a special set of enzymes developed in collaboration with Laboratoire de Chimie Agro-Industrielle and the CTR CATAR CRITT Agroressources in Toulouse, France.
Extremely fragile to temperature changes, UV light and humidity, the brittle nature of the shellac-mix sculpture invites protection, or assistance in its ever-evolving existence.
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NOT1801

Works included

  • PV1401

    Nature Of Things
    Selected and processed waste flowers, organic binders: shellac, tree resins, flour, sugar.
    cmH: 42 W: 28 D: 28
    inH: 16.5 W: 11 D: 11
  • NOT1802

    Nature Of Things
    Selected and processed waste flowers, shellac, found metal, steel, reinforced glass.
    cmH: 200 W: 290 D: 70
    inH: 78.7 W: 114.2 D: 27.6
  • PV1402

    Nature Of Things
    Selected and processed waste flowers, organic binders: shellac, tree resins, flour, sugar.
    cmH: 32 W: 40 D: 28
    inH: 12.6 W: 15.7 D: 11
  • NOT1800

    Nature Of Things
    Perishable Vases: selected and processed waste flowers, organic binders (shellac, tree resins, beeswax, flour, sugar, sand, clay); Incubator: Aluminium, acrylic, watering and heating system, enzyme and bacteria container.
    cmH: 170 W: 240 D: 80
    inH: 66.9 W: 94.5 D: 31.5
  • NOT1804

    Nature Of Things
    Selected and processed waste flowers, organic binders: shellack, clay, canvas.
    cmH: 140 W: 240 D: 5
    inH: 55.11 W: 94.48 D: 1.96
  • NOT2101

    Nature Of Things
    Selected and processed real flowers, steel wire, jute fabric, shellac, zinc.
    cmH: 240 W: 140 D: 70
    inH: 94.5 W: 55.1 D: 27.6

Year

2014-Ongoing

Team

Marcin Rusak
Tamara Pilawska-Baranowska
Tessa Silva Dawson
Adam Bialek
Olga Michaluk
Mateusz Wappa

Specialists

LCA-CRT CATAR CRITT
Agroressources
Laury-Hann Briere (Researcher)



Photo credits

Marcin Rusak Studio

Exhibitions / Location

Cheongju Craft Biennale, Cheongju
Design Sediments, Rotterdam
Bio 27, Ljubljana
Unnatural Practice, Milan
Plant Fever, Grand Hornu / Zurich / Dresden
William Morris Gallery, London
Nature of Things II, Victor Horta Museum, Brussels
Jerwood Foundation, London
Verbeke Foundation, Kemzeke
Marcin Rusak
Tamara Pilawska-Baranowska
Tessa Silva Dawson
Adam Bialek
Olga Michaluk
Mateusz Wappa
Cheongju Craft Biennale, Cheongju
Design Sediments, Rotterdam
Bio 27, Ljubljana
Unnatural Practice, Milan
Plant Fever, Grand Hornu / Zurich / Dresden
William Morris Gallery, London
Nature of Things II, Victor Horta Museum, Brussels
Jerwood Foundation, London
Verbeke Foundation, Kemzeke