Nature of Things
The installation entitled “Nature of Things” consists of 40 Perishable Pieces. The shapes of the pieces reference domestic items and architectural forms at different stages of decay, creating a symbolic alternative universe where the process of decay is regarded as progression.
When looking for forms to juxtapose with the perishable material we developed, we searched for discarded metal objects, imagining that these would offer a contrasting idea of permanence. In fact, we discovered that metal, too, is ephemeral: corroding, rusting and crumbling with a similar beauty.
The installation showcased throughout a series of exhibitions organised by the Jerwood Foundation reflected on the contemporary consumer culture, exposing and embracing the processes of decay, destruction, renewal, and reconstruction through these perishable and ephemeral objects. It also stimulated questions about history and future scenarios for making.
Experimenting with the processes of deconstruction, we wanted to focus on the impermanence of objects and, therefore, our unique relationship with them. The installation initiated this almost uncomfortable desire to preserve them – a non-physical relation which lasts as long as we consciously foster it. We strongly believe that the objects we value will outgrow the everyday and become representatives of our times.
When looking for forms to juxtapose with the perishable material we developed, we searched for discarded metal objects, imagining that these would offer a contrasting idea of permanence. In fact, we discovered that metal, too, is ephemeral: corroding, rusting and crumbling with a similar beauty.
The installation showcased throughout a series of exhibitions organised by the Jerwood Foundation reflected on the contemporary consumer culture, exposing and embracing the processes of decay, destruction, renewal, and reconstruction through these perishable and ephemeral objects. It also stimulated questions about history and future scenarios for making.
Experimenting with the processes of deconstruction, we wanted to focus on the impermanence of objects and, therefore, our unique relationship with them. The installation initiated this almost uncomfortable desire to preserve them – a non-physical relation which lasts as long as we consciously foster it. We strongly believe that the objects we value will outgrow the everyday and become representatives of our times.
| YEAR: 2018 |
COLLABORATORS: Marcin Rusak Tamara Pilawska Baranowska Tessa Silva Dawson |
PHOTO CREDITS: Marcin Rusak Studio |
LOCATION: London, UK |
